Welcome to the fantastic world of classical guitar. In this site, you will find classical guitar songs, in midi format, for one and more guitars: actually 3178 MIDI files from 90 composers. Information on how to create midi files and a tutorial on the tablature notation system is presented. Images of ancient guitars provided.
Click here to add this site to your favorites! Share this site with a friend
 |
|
|
|---|---|---|
Composers are grouped in 6 pages: A-B; C-F; G-L; M-O; P-R; S-Z . J.-S. Bach , A. Barrios Mangore , N. Coste , M. Giuliani , F. Sor and F. Tarrega are on their own page
Click here
to listen to 20 great MIDI from the site
Composers in alphabetical order
You are visitor number: since December 27, 1997
Thank you!
Note to
MIDI sequence contributors
Your submissions are welcomed.
Please send them by e-mail (end of text). Pieces
should bear the composer's name and be properly identified.(ex.: J.K. Mertz (1806-1856) Nocturne
Op.4 No.2.). The submissions
should bear information on the transcriber or arranger when available. The submitter's name
will appear beside the accepted submission.
Prior to submitting your MIDI sequence, please read the important information
below, as well as the "Tips
for a MIDI Sequence Realization" to transform your
contribution into a high quality MIDI sequence.
This site exists primarily to showcase pieces written for the classical
guitar. Established and recognized transcriptions and arrangements (e.g.,
Tarrega, Segovia) of pieces written by non-guitar composers will also be given
high priority. In addition, new transcriptions and arrangements by lesser-known
guitarists will be considered, but only those of the highest quality will be
added to the site.
New compositions for the classical guitar are also welcomed. New
compositions that meet quality guidelines will be added to the site. These
guidelines will be used to judge the MIDI sequence realization, not the
composition itself. For new contributors, it would be appreciated if you
would also submit several pieces by known composers in addition
to your own compositions. This will help to expand the repertoire of
established works for the classical guitar in addition to expanding the
repertoire of new music.
In general, the best MIDI arrangements will be those that can be played by --and
that sound like -- real classical guitars. This is important in order to
maintain a high level of authenticity in the music displayed on this site.
Last update: May 19, 2013
Copyright François Faucher 1998-2013
F. Carulli's Nocturne No.3 Op.143 